Oh she makes me feel like I could be a tower // A big strong tower yeah // She's got the power to be // The power to give // The power to see
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nprfandom:

i would much rather be the “obnoxious feminist girl” than be complicit in my own dehumanization, thanks

argents:

fangirl challenge: [8/10] movies.

↳ easy a

thisiswhiteprivilege:

History textbooks should all be titled “White Fanfiction.”

juniparis:

[AGGRESSIVELY TRIES TO MAKE EVERYONE WATCH ORPHAN BLACK]

differentlikeyou:

The biggest problem with year 12?

By the time you make it, you’ve burnt out, all that enthusiasm, all that love you had for the simple act of learning disappears, mercilessly destroyed.

The flame that use to burn so brightly is just extinguished. 

scribb1es:

chibinoyume:

Better off Ted 1x04.

drcormier:

sexual orientation: tatiana maslany

Is it my imagination, or does Cosima have bigger breasts than you?

drdoccubustorres:

There are only two kinds of people on tumblr: people who can’t stop posting about Orphan Black and people about to become people who can’t stop posting about Orphan Black.

And they’re all played by Tatiana Maslany.

quentinsucks:

ive got a problem and its called older women

kennedyclintonkat:

i did a thing

this obviously isn’t exhaustive - these aren’t all the reasons why these women are feminists, and it’s certainly not all the feminists in pop culture at the moment

if i forgot anyone please put them in the reblogs

Well, I have trouble watching action movies.

It’s not like I don’t like exciting battle sequences. It’s just that in those movies, most of the scenes feature random people falling victim to what happens.

That’s not even a problem, either. If those events were real, that kind of stuff would happen. It would be crazy to pretend they wouldn’t.

But the people watching the movie don’t ever spare a second thought for all of those anonymous extras who die. Instead, they are extremely affected by the deaths of the main characters.

To me, the main character dying and the poor people who die on the side of the road are the same. They’re all people who are living and thinking in a fictional world. There shouldn’t be any difference between them. But as long as the hero survives and laughs with the girl, it’s a happy ending. And if the hero dies, it’s a sad ending.

I don’t understand how that works.

To me, if anyone, any single person in the movie, dies, it’s a sad ending. The only difference between those sad endings is if the fictional hero ends the movie feeling pain for the fictional masses who die. But that hardly ever happens.

Why do the hero-style main characters always end the movie smiling and laughing? Why does the audience think it’s a happy ending? —Yosuke Kirie (Bokurano, Mohiro Kitoh) 

andthenisay:

Paul is to “Dollhouse” as Paul is to “Orphan Black.”

WHO FUCKING NEEDS PAULS.